Wildflowers

A while back I submitted a collection of photographs to GRAMR in hopes of joining their team of photographers. They got back to me and let me know that they were interested in floral themed photography for spring. This is in no way my genre but my first idea was to do something that involved wildflowers because I think their beauty is often overlooked. I collected some samples and brought them back to my home and photographed a group of them under studio conditions. While in the post processing phase I thought it would be neat to process the shot as a symmetrical double exposure. The resultant photo is above and while it was too experimental for the card company, I am happy that I discovered this technique. All that is required is the Enfuse plugin (originally reviewed for HDR here and multiple exposures here) and I thought it would be fun to show what I did in Lightroom to make this image:

1. Make global and local adjustments:

Adjust anything that your RAW image processing workflow normally consists of. For me, this includes adjusting the white balancing, choosing an aspect ratio, adjusting items under Lightroom's "Basic" module (shown), tinkering with the tone curve, and a good balance between sharpening and noise reduction. Also conversion to black and white with adjustments to the color channels if necessary. 

2. Create a virtual copy:

Right clicking on the photo will bring up a menu which allows you to make a copy of the image that has the same global and local adjustments made to the original version.

3. Transform the copy:

Under the "Transform" heading of the same drop down menu you have the option to flip the image horizontally or vertically. I chose horizontal for this image because I want it to have left to right symmetry. *** You can also flip horizontally and then again vertically if you want a reflected symmetrical image. 

4. Enfuse:

The initial review that introduced me to this plugin and link to download Enfuse can be found here. It seamlessly integrates into Lightroom and can be found under "Plugin Extras" in the "File" directory.  

This is probably the most important step, make sure the "Automatically align images before blending them" box is unchecked. If it is checked, you will likely get an error message after about 5 minutes of Lightroom having a melt down because the images don't line up. 

Under the "Enfuse" tab I usually set the Exposure Weight slider to 1.00 like I do during my normal double exposure workflow. After this, choose your output options and hit the "Enfuse Images" button.

5. Edit the resultant photo to taste:

In my experience, the double exposures processed through Enfuse have come out "flatter" than their original counterparts. To fix this I usually adjust the tone curve of the image or make additional global adjustments in the "Basic" module in Lightroom. Color images usually require more work and sometimes I will do a black and white conversion during this step if I cant make it work in color.

Vualá

This type of abstract photography is probably not for everyone, but I like the idea of producing something unique out of a seemingly normal photograph. When culling through my Lightroom catalog to produce extra image samples I focused on finding ones that had obvious leading lines. Also, detailed subjects that are directly in the middle of the frame have the tendency to become lost so images composed with the rule of thirds in mind are better suited for this. I would love to hear what you think of this experiment in the comments section =) -Sam

If you live in, or are traveling to Florida and would like to schedule a photo-shoot, I am currently offering portrait services in and around Central Fl. Check out more of my work at www.samgoldphotography.com

Extra Image Samples

Twins

Charlotte's Web

Little Green Man

DNA

Skater Boy

Infinity
*** I transformed this image horizontally and vertically before "Enfusing" 

Conjoined

When Sea Level Rises

Spy-hopping
MZD 45mm f/1.8

After a long while on land enjoying Florida's mild winter, I was shipped back out to the Western Neptune for work. I was introduced to this vessel during the Fall of last year and published some photos from the trip here. In this field it is always nice going back to a familiar ship because you "know the ropes" and preparing for the voyage is easier. However, when it comes to photography, it is difficult to document the same scenery and still keep things interesting. I am always up for a challenge though and no matter what the situation, try to dedicate a couple of hours every week to practice this craft. I decided to leave my OMD EM5 home this trip and spend some quality time with the Panasonic GX7. It is the absolute perfect offshore camera due to its native 1/8000 shutter speed for those extra sunny days. In addition, it is small and becomes extra inconspicuous when switched to silent mode. Since I almost always shoot from waist level with the articulating screen up, I'm sure the people I encounter while shooting think, "Wow, he still hasn't figured out how to use that thing". ;) Hope you enjoy this set. -Sam

If you live in, or are traveling to Florida and would like to schedule a photo-shoot, I am currently offering portrait services in and around Central Fl. Check out more of my work at www.samgoldphotography.com

Daily Notes
OM Zuiko 35mm f/2.8 + generic focal reducer

Calm Before the Storm
Lumix 14mm f/2.5

Port Wing
Lumix 14mm f/2.5

Foam System
OM Zuiko 35mm f/2.8 + generic focal reducer

Geometric
Lumix 14mm f/2.5

High Seas
OM Zuiko 35mm f/2.8 + generic focal reducer

Almost Symmetrical
OM Zuiko 35mm f/2.8 + generic focal reducer

Wheelhouse
Sigma 60mm f/2.8

NSDB
OM Zuiko 35mm f/2.8 + generic focal reducer

Vignette
Lumix 14mm f/2.5

Communications
Lumix 14mm f/2.5

Panorama
Lumix 14mm f/2.5

Saltspray
OM Zuiko 35mm f/2.8 + generic focal reducer

Red
Lumix 14mm f/2.5

Western Geco
Lumix 14mm f/2.5

Gasmask
OM Zuiko 35mm f/2.8 + generic focal reducer

Up, Up, Down, Down, Left, Right, Left, Right, A, B, Start, Select
Lumix 14mm f/2,5

The View
OM Zuiko 35mm f/2.8 + generic focal reducer

Calm Seas
OM Zuiko 35mm f/2.8 + generic focal reducer

Coffee vs. Coke
OM Zuiko 35mm f/2.8 + generic focal reducer

Typing for Two
OM Zuiko 35mm f/2.8 + generic focal reducer

Purple Sunset
OM Zuiko 50mm f/1.4 + generic focal reducer

The Pod
OM Zuiko 28mm f/2.8 + generic focal reducer

Under the Sea
MZD 45mm f/1.8

Ed Miranda, one of my photography friends on Insagram (who you should definitely follow - @emirandata - or check out here) tagged me in a post which asks to answer five questions related to your history as a photographer. Although I am not a professional and do not have a career based in this field, I found answering these question was a fun exercise in introspection. Every photographer should do this.

1. Choice of camera?

When I was doing research on purchasing an interchangeable lens camera I came across the DP Review for Olympus' OMD EM5. The first thing that attracted me to this camera was its size but soon I became impressed with its features, primarily the in body image stabilization (IBIS) technology it possessed. In addition, I thought the camera was quite handsome compared to Canikon's offerings and I'm a sucker for aesthetics. After doing more research on this specific camera and the micro four thirds platform I came to realize that it was a good match for me. As soon as I held the camera I knew I had made a good decision and once I started using it, I was hooked. It actually inspires me to go out and shoot and being inspired is paramount to development in this field. Without it, you end up with another piece of gear collecting dust in your closet.

2. How long have you been practicing photography? 

In 2008, the lab I was working in purchased an Olympus Stylus 1030 SW and after using it in the field and liking it, I purchased one for myself. I used it continuously until May, 2013 when I lost it during a trip to Disney World. As a point and shoot, It did not offer very much in terms of controls but I carried the thing with me everywhere and knew that I enjoyed taking photos of my surroundings. Losing my point and shoot became a good excuse to upgrade to something more serious and have been shooting with an OMD EM5 since July 2013. I didn't begin to educate myself on the basic principals of photography until 2013 however and my time with the stylus was spent blindly in "auto" mode. 

3. Who got you into photography? 

This is a tough question as I cannot pinpoint one individual who was responsible for me venturing into this art form. I didn't grow up with photographer relatives and I am definitely not classically trained so my influences have been fairly recent. It is weird, but I have been a fan of the music artist RAC for some time now and seeing the photos he posted on Facebook was one of my earliest influences. While in graduate school, I became friends with Andrew McInnes, an accomplished nature and landscape photographer from Australia who was going to school in Texas. His work did and continues to inspire me and he was nice enough to answer a lot of questions about photography that I had while researching the basics early on. I think one of my biggest inspirations however has been Ming Thein. His clean and minimalist style coupled to his perspective that gear is not as important as vision (and technique) really resonated with me and reading through his site pushed me to take the jump and buy the EM5. 

4. What does photography mean to you? 

I have always been an artist and to me photography represents another outlet into which I can vent my creativity. I love the idea that once I am gone there is still the possibility that another person will be able to view a tiny fraction of space and time through my artistic interpretation of the scene. I am also drawn to photography because it is the only medium I have found where I can use the more analytical side of my brain. As a trained biologist, I am a huge fan of the scientific method and each picture is like a tiny super fast experiment. I find it fun to gauge a scene, dial in the exposure settings I think will work, take the photo, and check out the results (especially fun when using off camera flash and flash modifiers).

5. Anything you would like to say to starting photographers out there?

There are a few things I would say to someone just starting out or who wants to pursue photography as a hobby or career in the future. These are things I did that I have come to realize helped in my development as a hobbyist. That being said, I am still very new to the game so be sure and read these with a grain of salt.

1. Spend 1 to 3 months researching your camera options and learning the fundamentals of photography before you buy anything. You should know what "f/1.8", "ISO", "white balance", "crop factor" and all those other photography terms mean before you even pick up a camera, after all, knowledge is power. Modern cameras are complex and you do not possess an understanding of the basics before venturing into your first project you may find yourself overwhelmed and uninspired in the end. 
2. No matter what system you choose, purchase a couple fast prime legacy lenses and practice with them before moving on to the latest and greatest auto-focus zoom option. Picking a focal length and learning what it is good for in terms of subject matter and composition will help you make smart decisions when you do get a good "all around" piece of glass. Also, using a manual lens will slow you down and force you to think about the shot before you hit the shutter button. You will also probably learn how to zone focus and figure out what focal lengths you do not care for. 
3. For the first year or so, do not limit yourself to one type of photography. I feel practicing different genres will only make your overall foundation stronger. For example, even if you ultimately want to become a fashion photographer, why not take a shot at macro or astro-photography, in the end you may learn something that you can apply to the fashion world that in the end makes you stand out. Alternatively, you may come to the realization that macro photography is much more interesting than fashion and want to make that your primary focus. You will never know if you do not try. 
4. Finally, never stop learning (which ties into what is mentioned above) and seek inspiration from others. I think this tidbit of information should be applied to everyday life, but is especially important in the arts. There are so many great photographers producing awesome imagery in this world, it would be foolish for someone to forgo their work. 

If I had to only pick one of these to tell someone it would be the #1 because I think the fundamentals are necessary to develop good shot discipline. Without them would be like trying to solve an algebra problem if you had no knowledge of what numbers and letters were.

Sam

If you live in, or are traveling to Florida and would like to schedule a photo-shoot, I am currently offering portrait services in and around Central Fl. Check out more of my work at www.samgoldphotography.com